Bloemstuk met twee hagedissen

Bloemstuk met twee hagedissen

<p style="margin:0cm;font-size:12pt;font-family:Calibri, sans-serif;"><span lang="EN-US">This apparently casual flower arrangement is, in fact, a precisely thought-out masterpiece. In this bouquet, Saverij has brought together flowers that bloom at different times of the year. Two sand lizards and a beetle crawl across the light-yellow stone plinth at the bottom. Two rare shells from Indonesia and West Africa bear witness to the Netherlands&rsquo; colonial past, while the precise representation of the insects indicates the emergence of a new science: entomology. As a whole, the painting symbolises the transience of life on earth.</span></p><p style="margin:0cm;font-size:12pt;font-family:Calibri, sans-serif;"><span lang="EN-US">&nbsp;</span></p><p style="margin:0cm;font-size:12pt;font-family:Calibri, sans-serif;"><span lang="EN-US">Roelant Saverij is known to have painted twenty different flower pieces. Together with an almost identical version now in New York, &lsquo;Flower still-life with two lizards&rsquo; is his earliest and, thereby, the earliest dated still-life from the Northern Netherlands. The bouquet is unevenly lit creating an effect of depth. The colours are bright and clear.</span></p><p style="margin:0cm;font-size:12pt;font-family:Calibri, sans-serif;"><span lang="EN-US">&nbsp;</span></p>

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This apparently casual flower arrangement is, in fact, a precisely thought-out masterpiece. In this bouquet, Saverij has brought together flowers that bloom at different times of the year. Two sand lizards and a beetle crawl across the light-yellow stone plinth at the bottom. Two rare shells from Indonesia and West Africa bear witness to the Netherlands’ colonial past, while the precise representation of the insects indicates the emergence of a new science: entomology. As a whole, the painting symbolises the transience of life on earth.

 

Roelant Saverij is known to have painted twenty different flower pieces. Together with an almost identical version now in New York, ‘Flower still-life with two lizards’ is his earliest and, thereby, the earliest dated still-life from the Northern Netherlands. The bouquet is unevenly lit creating an effect of depth. The colours are bright and clear.

 

Now in the museum in Roelant Savery’s Wonderlijke Wereld

Title

Bloemstuk met twee hagedissen

Artist

Roelant Saverij (Kortrijk 1578 - 1639 voor Utrecht)

Dating

1603

Material and technique

olieverf op koper

Object number

6316

Object type

schilderij

Acquisition

aankoop met steun van de Vereniging Rembrandt 1943

Dimensions

hoogte 29 cm

breedte 19 cm

hoogte (met lijst) 44.2 cm

breedte (met lijst) 34 cm

diepte (met lijst) 4.2 cm

Inscriptions and markings

  • signatuur en datering recto m.o. : ROELANDT SAVERY // 1603

More of the same motif

stilleven, bloemstilleven

Remarks

De datering is tot 1982 gelezen als 1601 of 1604. Segal 1982, p. 311 las als eerste 1603. Vrijwel identieke versie op koper, 32 x 23 cm, op dezelfde wijze gesigneerd en gedateerd in de collectie F. Petschek te New York (1995).

Documentation

  • 36

  • Bloem en tuin in de Vlaamse kunst, Paul Eeckhout, Johan Daisne, Georges Chabot, René Pechère, (Brussel, 1960), cat. nr. 119, afb. 47

  • Bloem en tuin in de Vlaamse kunst, Paul Eeckhout, Johan Daisne, Georges Chabot, René Pechère, (Brussel, 1960), cat. nr. 119, afb. 47

Exhibitions

  • Roelant Savery’s Wonderlijke Wereld , Mauritshuis, Den Haag, 2024

  • De botanische revolutie, Centraal Museum, Utrecht, 2021 - 2022

  • De wereld van Utrecht. Topstukken uit vijf collecties, Centraal Museum, Utrecht, 2016 - 2022

Persistent url

To refer to this object please use the following persistent URL:

https://hdl.handle.net/21.12130/collect.C5F088EC-70CD-4721-9827-DB16C74A113E

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