Bodeteken van het Zakkendragers- en Graanmetersgilde

Bodeteken van het Zakkendragers- en Graanmetersgilde

<SPAN lang=EN-GB> <P dir=ltr align=left>Employers want to have skilled personnel and get good prices for their products; customers want to have guaranteed good quality; and employees want to have proper working conditions and provisions in the event of illness and old age. This was important to people in the Middle Ages, too. That is why fellow tradesmen formed artisan guilds, first in Italy but later elsewhere as well. The guilds drew up quality codes, regulated working hours, organised training programmes, and provided care arrangements for the sick and elderly. They also formed a political lobby to pressure the city administration into adopting favourable measures. A craftsman or trader began his career as an apprentice to a guild member, eventually becoming a journeyman (compagnon). Those aspiring to independence (a master) first had to prove their competence with a ‘master’s piece’. After this piece was approved and the guild dues were paid, they were welcomed as member of the guild. This was easier to achieve for the offspring of guild members than for outsiders, of course.</P> <P dir=ltr align=left></P> <P dir=ltr align=left>In Utrecht the first guilds emerged in the late thirteenth century. They quickly gained in influence and even acquired the right to elect the city council. One important duty of the Utrecht guilds was to guard the city wall. Each guild was responsible for a certain section of the wall between two towers. The Smeetoren (the tower of the smith’s guild) was one such tower. Of the 21 guilds in Utrecht, the smith’s guild was the wealthiest and most powerful. At the guild house it ran a care home for elderly members, named the Eloyen Gasthuis after their patron saint, Saint Eloy. </P> <P dir=ltr align=left>The guilds not only looked after their members during their life, but also after their death. A proper funeral was very important to people in those days. Guilds had their own funeral vaults and colleagues would carry the coffin, which was covered by a black pall and decorated with silver pins. The Centraal Museum possesses thirteen pall decorations of the porters’ and grain weighers’ guilds: they depict porters carrying sacks, grain measuring units and shovels. The role of the guilds changed after the Middle Ages. They lost their political influence and, with the Reformation, also their religious role. Their function as a trade organisation remained, but their closed character was increasingly criticised. Their attempt to fight off competition from fellow tradesmen from outside the city was especially frowned upon. The guilds were officially abolished at the start of the nineteenth century. </P></SPAN>

Employers want to have skilled personnel and get good prices for their products; customers want to have guaranteed good quality; and employees want to have proper working conditions and provisions in the event of illness and old age. This was important to people in the Middle Ages, too. That is why fellow tradesmen formed artisan guilds, first in Italy but later elsewhere as well. The guilds drew up quality codes, regulated working hours, organised training programmes, and provided care arrangements for the sick and elderly. They also formed a political lobby to pressure the city administration into adopting favourable measures. A craftsman or trader began his career as an apprentice to a guild member, eventually becoming a journeyman (compagnon). Those aspiring to independence (a master) first had to prove their competence with a ‘master’s piece’. After this piece was approved and the guild dues were paid, they were welcomed as member of the guild. This was easier to achieve for the offspring of guild members than for outsiders, of course.

In Utrecht the first guilds emerged in the late thirteenth century. They quickly gained in influence and even acquired the right to elect the city council. One important duty of the Utrecht guilds was to guard the city wall. Each guild was responsible for a certain section of the wall between two towers. The Smeetoren (the tower of the smith’s guild) was one such tower. Of the 21 guilds in Utrecht, the smith’s guild was the wealthiest and most powerful. At the guild house it ran a care home for elderly members, named the Eloyen Gasthuis after their patron saint, Saint Eloy.

The guilds not only looked after their members during their life, but also after their death. A proper funeral was very important to people in those days. Guilds had their own funeral vaults and colleagues would carry the coffin, which was covered by a black pall and decorated with silver pins. The Centraal Museum possesses thirteen pall decorations of the porters’ and grain weighers’ guilds: they depict porters carrying sacks, grain measuring units and shovels. The role of the guilds changed after the Middle Ages. They lost their political influence and, with the Reformation, also their religious role. Their function as a trade organisation remained, but their closed character was increasingly criticised. Their attempt to fight off competition from fellow tradesmen from outside the city was especially frowned upon. The guilds were officially abolished at the start of the nineteenth century.

This object is now not on display in the museum

Title

Bodeteken van het Zakkendragers- en Graanmetersgilde

Artist

Dating

1611 - 1680 (1611, mogelijk 1680)

Material and technique

zilver

Object number

4321 a

Object type

bodeteken

Acquisition

aankoop 1884

Dimensions

hoogte 15.8 cm

breedte 12 cm

gewicht 62.5 gr

gehalte

Inscriptions and markings

  • inscriptie op de schoot : Frans van // Bentúm // de Boeij

  • inscriptie op de korenmaat bovenaan : Jacob.Gertsen.van.Coetsvelt

  • inscriptie op de buik links : Jan // Jacobsen // van Vre // denbúrgh

  • inscriptie op de buik midden : Hermen // Jansen// van de // Ham

  • inscriptie op de buik rechts : Jan // Jansen // Ver // meúlen

  • opschrift onderaan : Dit.sijn.de.Deeckens.en.Búsmesters.inder.tijt.Anno.1680.... (later aangebracht)

What

Zakkendragers- en Graanmetersgilde (Utrecht) (herkomst)

gilden (Utrecht) (sociaal-economisch)

When

Habsburgse tijd en Republiek 1528-1795

Remarks

Tot 1997 (publicatie van de collectiecatalogus Metalen) was de datering: ca. 1600

Documentation

  • Ach Lieve Tijd. Dertien eeuwen Utrecht etc., M.W.J. de Bruijn, P.D. 't Hart, K. Hazelzet, D.C. van der Maarel. J.E.A.L. Struick en S. Verbeeck (red.), (Zwolle, 1984-1985), afb. p. 81

  • Art et Travail, cat. nr. 493

  • Atlas van platen, behoorende bij het 2e deel (nieuwe reeks) van de Verhandelingen uitgegeven door Teylers Tweede Genootschap (De Noord-Nederlandsche gildepenningen), J. Dirks, (Haarlem, 1879), pl. Utrecht 4, nr. 10 (tek.)

Exhibitions

  • De wereld van Utrecht. Topstukken uit vijf collecties, Centraal Museum, Utrecht, 2016 - 2022

  • Dit is het Centraal Museum! Topstukken uit de vijf collecties, Centraal Museum, Utrecht, 2012 - 2015

  • Markten in Utrecht, Centraal Museum, Utrecht, 2001

Persistent url

To refer to this object please use the following persistent URL:

https://hdl.handle.net/21.12130/collect.9D17CF81-F8ED-4DC4-AF43-C9A1BB39D149

Questions?

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