De vrolijke drinker

De vrolijke drinker

Ter Brugghen borrowed the idea of painting this earthy character with bad teeth from Bartolomeo Manfredi. The Roman Caravaggist was the first to paint male half-lengths drinking amusedly to the viewer. Starting in 1624, Ter Brugghen preferred to paint figures with a bare shoulder, accentuated by soft light. During this period, his palette was darker than it had been previously, allowing us to date this picture at around 1625.&nbsp;<span lang="EN-GB" style="font-family:Arial, sans-serif;">In the late medieval city, sinful behaviour such as excessive drinking, revelry and gambling were discouraged as much as possible for fear of God&rsquo;s punishment. This moderation fitted well with Galen&rsquo;s idea that an excess of food and drink would lead to health problems. This merry drinker doesn&rsquo;t seem to care. He is eating a salted herring, which would only increase his thirst.</span>

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Ter Brugghen borrowed the idea of painting this earthy character with bad teeth from Bartolomeo Manfredi. The Roman Caravaggist was the first to paint male half-lengths drinking amusedly to the viewer. Starting in 1624, Ter Brugghen preferred to paint figures with a bare shoulder, accentuated by soft light. During this period, his palette was darker than it had been previously, allowing us to date this picture at around 1625. In the late medieval city, sinful behaviour such as excessive drinking, revelry and gambling were discouraged as much as possible for fear of God’s punishment. This moderation fitted well with Galen’s idea that an excess of food and drink would lead to health problems. This merry drinker doesn’t seem to care. He is eating a salted herring, which would only increase his thirst.

Now in the museum in Collectie Centraal

Title

De vrolijke drinker

Artist

Hendrick ter Brugghen (Utrecht 1588 - 1629 Utrecht)

Dating

ca. 1625

Material and technique

olieverf op doek

Object number

11480

Object type

schilderij

Acquisition

aankoop met steun van Vereniging Rembrandt 1955

Dimensions

hoogte 71.4 cm

breedte 59.8 cm

hoogte (met lijst) 93.5 cm

breedte (met lijst) 82.5 cm

diepte (met lijst) 6 cm

Inscriptions and markings

  • signatuur en datering rechts in het fond (met verf): HHTB 16[..]

More of the same motif

genre

Documentation

  • 125 jaar openbaar kunstbezit : met steun van de Vereniging Rembrandt, Peter Hecht, (Zwolle, 2008), pp. 117-118, met afb. in kleur

  • Caesar van Everdingen : Schilder met een vleiende penseel (1616/1617-1678), samenst. en red. Christi M. Klinkert en Yvonne Bleyerveld, (Alkmaar, 2016)

  • Caravaggio e L'Europa : il movimento caravaggesco internazionale da Caravaggio a Mattia Preti, coord. ed. Franco Ambriosio, (Ginevra, 2005), p. 95; p. 94, afb. 13; p. 382-383, cat. nr. V. 14, met afb. in kleur

Exhibitions

  • Collectie Centraal, Centraal Museum, Utrecht, 2023

  • Double Act : Meesterwerken in verf en video, Centraal Museum, Utrecht, 2022 - 2023

  • De gezonde stad , Centraal Museum, Utrecht, 2022

Persistent url

To refer to this object please use the following persistent URL:

https://hdl.handle.net/21.12130/collect.A3C46C05-610D-460E-B70C-0A4FDB6822EC

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