Cross Cultural Chairs: Nigeria

<P><SPAN lang=EN>‘We wear the same shoes, listen to the same playlists, and watch the same films,’ says designer Matteo Guarnaccia. ‘But do we also use the same chairs? Do we sit in the same way?’ Driven by these questions and by his curiosity regarding production methods and how globalisation is affecting design, Guarnaccia travelled around the world to visit the eight most densely populated countries. In each country he stayed for one month. Once arrived, Guarnaccia crisscrossed metropoles and villages, visited markets and museums, and talked to the local inhabitants about their customs and habits, local politics and history – sometimes using hand and feet. This way he was able to form a picture of a country’s culture in a short space of time, with a keen awareness of his limited perspective as a (western) outsider. Working with local designers, he then translated that image into a design that had to result in a real chair within that same month, including a photo shoot and presentation. After all, on the first day of the next month Guarnaccia would fly off to his next destination. Guarnaccia started in Brazil and went on to visit Mexico, Japan, Indonesia, China, India, Russia and Nigeria. After eight intensive months, he returned home with eight different chairs as eight portraits of a country. </SPAN></P><SPAN lang=EN><SPAN lang=EN-GB> <P dir=ltr align=left>The Nigerian chair is based on the self-fabricated urban furniture that occupies the streets of Lagos. By giving the wood a shiny metal finish, this everyday chair gets an exclusive look. To not take the chair out of its original context, the design is free to download for Nigerians only.</SPAN>[text 2023]</SPAN></P>

‘We wear the same shoes, listen to the same playlists, and watch the same films,’ says designer Matteo Guarnaccia. ‘But do we also use the same chairs? Do we sit in the same way?’ Driven by these questions and by his curiosity regarding production methods and how globalisation is affecting design, Guarnaccia travelled around the world to visit the eight most densely populated countries. In each country he stayed for one month. Once arrived, Guarnaccia crisscrossed metropoles and villages, visited markets and museums, and talked to the local inhabitants about their customs and habits, local politics and history – sometimes using hand and feet. This way he was able to form a picture of a country’s culture in a short space of time, with a keen awareness of his limited perspective as a (western) outsider. Working with local designers, he then translated that image into a design that had to result in a real chair within that same month, including a photo shoot and presentation. After all, on the first day of the next month Guarnaccia would fly off to his next destination. Guarnaccia started in Brazil and went on to visit Mexico, Japan, Indonesia, China, India, Russia and Nigeria. After eight intensive months, he returned home with eight different chairs as eight portraits of a country.

The Nigerian chair is based on the self-fabricated urban furniture that occupies the streets of Lagos. By giving the wood a shiny metal finish, this everyday chair gets an exclusive look. To not take the chair out of its original context, the design is free to download for Nigerians only.

[text 2023]

This object is now not on display in the museum

Title

Cross Cultural Chairs: Nigeria

Artist

Dating

2018-01-01 - 2018-12-31

Material and technique

metaal

Object number

35658/008

Object type

meubel, stoel

Acquisition

aankoop met steun van de VriendenLoterij

Dimensions

hoogte 80.5 cm

breedte 46 cm

diepte 49 cm

Inscriptions and markings

    Documentation

    • Cross Cultural Chairs: Diversifying Modern Seating, Ed. Guarnaccia, Matteo, text: FormaFantasma, Aldo Cibic, Tulio Amarante, ... [et al], (Eindhoven, 2020)

    • Stoel neemt stelling, Inl. Bart Rutten, redactie Esther Darley, Natalie Dubois, Hans Schopping, auteurs Laurie Cluitmans, Catharina van Daalen, Esther Darley, Natalie Dubois, Bart Rutten, Anne van der Zwaag, (Utrecht, 2023), p. 18-19, afb.

    Exhibitions

    • Stoel neemt stelling, Centraal Museum, Utrecht, 2023 - 2024

    Persistent url

    To refer to this object please use the following persistent URL:

    https://hdl.handle.net/21.12130/collect.46e8641d-6367-48b2-9e56-252c9bc17939

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